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DTSTART:20231105T020000
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UID:calendar.2422.events_uoft_date.0@arthistory.utoronto.ca
CREATED:20240109T173033Z
DESCRIPTION:\nWhen and Where: \nTuesday, January 16, 2024 4:30 pm to 6:00
  pm \n Paul Cadario Conference Centre \n Croft Chapter House, University 
 College \n 15 King's College Circle, Toronto, ON \n\nSpeakers \nJean-Phi
 lippe Garric (University of Paris 1 Panthéon-Sorbonne) \n\nDescription: \n
 The Department of Art History is pleased to present the next installment o
 f our French Visiting Scholar Lecture Series, featuring Prof. Jean-Philip
 pe Garric of the University of Paris.'Cointeraux, Lequeux and Percier: Th
 ree Architects Across the Revolution' When: Tuesday, January 16, 2024 - 
 4:30pm Where: Paul Cadario Conference Centre, Craft Chapter House, Unive
 rsity CollegeReception to follow.Abstract:With his famous essay Three Revo
 lutionary Architects: Boullée, Ledoux and Lequeux (1952), Emil Kaufma\n 
 widely contributed to built-up the historiography of French architecture a
 round 1800 and to shape the researches of the second half off the twentiet
 h century. His choice to identify the production of the three protagonist 
 as “revolutionary”, beyond every political involvement on their part, an
 d even if they had often work for aristocratic sponsors, links their arti
 stic expressions with the historical events. In one way, the Austrian his
 torian, according to a Twentieth century’s concept, transforms them comm
 itted artists.Based on researches held during the last decade, the altern
 ative trio presented in this conference relies instead on biographic and h
 istorical elements. Being or not “revolutionary”, François Cointeraux (17
 40-1830), Jean Jacques Lequeu (1757-1826) and Charles Percier (1764-1838)
  went through the Revolution and their lives, as artist and as men, had 
 been powerfully impacted by it. In different ways their three parcourses b
 egun in the 1780s and, successful or not, they had to adapt to a quickly
  changing reality. Their achievements and their fields of intervention are
  also of different kinds, although one could say that they are three “arc
 hitects of the book”, with a strong cultural dimension. They don’t embody
  a style, or not even the formal expression of a particular moment, but 
 the diversity of what could potentially be “architecture” at the beginning
  of a news area of uncertainty, full of astonishing attempts, great real
 izations and admirable failures.Bio:Jean-Philippe Garric was born in Toulo
 use (France) in 1961. After graduating in architecture at the school of ar
 chitecture of Toulouse in 1985, he moved to Paris and begun to work in th
 e field of architectural culture, at the Institue Français d’Architectur
 e (Paris). Selected as a Fellow at the French Academy in Rome (Villa Medic
 i), he moved to Rome in 1987, staying six years abroad before he returne
 d to Paris in 1993. At that time, he begun to teach in various school of 
 architecture in France, while preparing a PhD, under the supervision of 
 Françoise Choay. This was published in 2004 under the title Recueils d’It
 alie. Les modèles italiens dans les livres d’architecture français, he 
 studies the publication in France of Italian architectural models, from t
 he Renaissance to the twentieth century, but with a focus between 1800 an
 d 1850, which give a central positio\n to the architects Charles Percier 
 and Pierre Fontaine. Associated Professor in 2000 at the school of Archite
 cture of Normandie, and then at the school of Architecture of Paris-Belle
 ville (2004) he went on studying the history of books and theory of archit
 ecture and in 2006 he was elected advisor for History of architecture at t
 he Instut national d’histoire de l’art, where he stayed until 2013.Invite
 d in 2009 by the Bard Graduate Center to prepare an exhibitioon dedicated 
 to Charles Percier, he worked for various years on this personality to wh
 ich he dedicated an important number of publications. After the exhibition
  was presented at NY and then at Fontainebleau, he prepared another exhib
 ition dedicated to Jean Jacques Lequeu, presented at the Petit Palais in 
 2018, and further a book that deals with the architectural drawind, base
 d on the collections of architectural drawings of the Bibliothèque nation
 ale de France.In parallel with these works widely focused on architectural
  drawing between 1770 and 1850, he pursued researched dedicated to archit
 ectural education and to rural architecture during the same period et part
 icularly to François Cointeraux the first theoretician of the constructio
 n in adobe and rammed earth.Elected full professor at the university of Pa
 ris Panthéon-Sorbonne in 2013 he has been strongly engaged in the supervi
 sion of doctoral researches that address he field and period of research a
 nd beyond. He has been invited in various universities as an invited profe
 ssor, researcher or lecturer.He is currently working on new research proj
 ects, included the “architects of the book” in France during the long nin
 eteenth century and the “photo-inventions of Rome” during the first decade
 s of photography (1840-1880). \n15 King's College Circle, Toronto, ON \n
 \nCategories \n LecturesSpecial Event \n\nAudiences \n Alumni and FriendsA
 rt History CommunityCurrent Graduate StudentsCurrent Undergraduate Student
 sFaculty
DTSTART;TZID=America/New_York:20240116T163000
DTEND;TZID=America/New_York:20240116T180000
LAST-MODIFIED:20240109T175900Z
LOCATION:15 King's College Circle, Toronto, ON
SUMMARY:French Visiting Scholar Lecture Series: Jean-Philippe Garric (Profe
 ssor of History of Architecture, University of Paris)
URL;TYPE=URI:https://arthistory.utoronto.ca/events/french-visiting-scholar-
 lecture-series-jean-philippe-garric-professor-history-architecture
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