| Wang, Xin Yue (Sylvia) |
'Tasting God' – The Last Supper in Medieval Art |
Cohen, Adam S. |
2025 |
| Dizdar, Ivana |
L’arctique à La Parisienne: Visualizing the Polar North in France, 1839-1889 |
Cheetham, Mark |
2025 |
| Dunlop, Derek |
Intractable Romanticism: Art, Nature, and Practices of the Aesthetic in Three Contemporary Settler Ecologies |
Jain, Kajri |
2025 |
| Midanik, Shaun |
Between Two Trades: Books of Prints in Early Modern Italy (1450-1700) |
Levy, Evonne; Sohm, Philip |
2025 |
| Wang, Gary |
Modern Girls and Musclemen: The Body Beautiful, Aesthetic Education and the Confusions of Progress in Republican Chinese Print, Circa 1917-1934 |
Purtle, Jenny |
2024 |
| El-Shamy, Lina |
Salon Modhab: The Gilded Salons of Egyptian Homes |
Harney, Elizabeth |
2024 |
| Minden, Ariella |
In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530 |
Levy, Evonne |
2024 |
| Steingart, Elana |
Semiotic Validity in Incomplete Aegean Bronze Age Seal Impressions |
Knappett, Carl |
2023 |
| Sager, Tia |
The Poetics and Politics of Space: A Regional Analysis of the Cretan Final Palatial and Postpalatial Built Environment |
Knappett, Carl |
2023 |
| Myburgh, Brittany |
Projected Visions: László Moholy-Nagy, Thomas Wilfred, and Light Art in the Twentieth Century |
Kaplan, Louis |
2021 |
| Dewan, Rachel |
Containing Meaning: Miniature Pottery on Bronze Age Crete |
Knappett, Carl |
2021 |
| Efrat, Liron |
Welcome to the Oasis of The Real: The Aesthetics of Convergence in Augmented Reality |
Kaplan, Louis |
2021 |
| Hirschey, Paige |
At the Frontier of the Impossible: Reimagining the Legacies of György Kepes and the Center for Advanced Visual Studies |
Cheetham, Mark |
2022 |
| Lampert Golding, Rebecca |
Visualizing Medicine in the Twelfth Century: Bodily Disease, Spiritual Cure, and Christian Salvation |
Cohen, Adam S. |
2022 |
| Mattison, Elizabeth Rice |
Reforming Sculpture: The Prince-Bishopric of Liege, 1468–1566 |
Kavaler, Ethan Matt |
2021 |
| Belford, Liora |
Toward Listening as a Curatorial Method: Histories, Methodologies, Propositions |
Legge, Elizabeth |
2021 |
| Doucet, Emily |
Developing the Future: Felix Nadar's Photographic Experiments |
Bear, Jordan |
2020 |
| Rife, Michaela Elaine |
Public Art, Private Land: Settler Colonialism and Environment in New Deal Murals on the Great Plains |
Cheetham, Mark |
2020 |
| Tankha, Akshaya |
An Aesthetics of Endurance: Art, Visual Culture and Indigenous Presence in Nagaland, Northeast India |
Jain, Kajri |
2020 |
| Gheorghiade, Paula |
A Network Approach to Cultural Interaction and Maritime Connectivity on Crete during the Late Bronze Age–Late Minoan II–IIIB2 |
Knappett, Carl |
2020 |
| Wallace, Amy Catherine |
Studio of Nature: The Transformation of Artists' Studios, 1845–1910 |
Cheetham, Mark |
2019 |
| Addleman-Frankel, Kate |
Dividing Lines: Early Photogravure, Reproduction, and the History of Photography |
Bear, Jordan |
2019 |
| Gorjeltchan, Sasha |
Fixing History: Time, Space, and Monastic Identity at Saint-Aubin in Angers ca. 1100 |
Cohen, Adam S. |
2019 |
| Litvack, Chaya Amy |
Entries to Intimacy: Shared Solitude in Garth Greenwell's What Belongs to You, Anne Carson's Nox, and Roni Horn's Another Water (The River Thames, for Example) |
Ricco, John Paul |
2019 |
| Slattery, Susan |
Performing Portraiture: Picturing the Upper-class English Woman in an Age of Change, 1890–1914 |
Syme, Alison |
2019 |
| Welch, Adam Douglas Swinton |
Borderline Research: Histories of Art between Canada and the United States, c. 1965–1975 |
Legge, Elizabeth |
2019 |
| Lortie, Marie |
Afrique en Créations 1990–2011: Transnational Patronage in the Francophonie |
Harney, Elizabeth |
2018 |
| Bacal, Edward David |
Bodies Withdrawn: The Ethics of Abstraction in Contemporary Post-Minimal Art |
Ricco, John Paul |
2018 |
| Bissett, Tara |
The Architectural Imprint: Architecture and its Graphic Image in Early Modern France |
Anderson, Christy |
2017 |
| Kulick, Rachel |
Urban Soil Micromorphology at Bronze Age Palaikastro, Crete: A Geoarchaeological Investigation of Site Formation Processes |
Knappett, Carl |
2017 |
| Angel, Sara Joy |
A Moral Persuasion: The Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002–2013 |
Legge, Elizabeth |
2017 |
| Aronowicz, Miriam |
The Triangle Arts Trust: Contemporary - Art and Transnational Production |
Harney, Elizabeth |
2017 |
| Horbatsch, Olenka |
Impressions of Innovation: Early Netherlandish Printmaking |
Kavaler, Ethan Matt |
2017 |
| Katz, Dana |
A Changing Mosaic: Multicultural Exchange in the Norman Palaces of Twelfth-Century Sicily |
Caskey, Jill |
2017 |
| Lauder, Adam |
Digital Materialisms: Information Art In English Canada, 1910–1978 |
Legge, Elizabeth |
2017 |
| Moss, Elizabeth Yoder |
Framing the Holy: Revetments on Late Byzantine Icons |
Safran, Linda; Caskey, Jill |
2017 |
| Murray, Colin Alexander |
Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy |
Sohm, Philip |
2017 |
| Smither, Devon |
Bodies of Anxiety: The Female Nude in Modern Canadian Art, 1913–1945 |
Cheetham, Mark A. |
2017 |
| Glover, Angela Dorothy |
Reconstructing the Office Furniture: The Art of Early Modern Choir Stall |
Kavaler, Ethan Matt |
2016 |
| Richardson, Sarah Aoife |
Painted Books for Plaster Walls: Visual Words in the Fourteenth-century Murals at the Tibetan Buddhist Temple of Shalu |
Purtle, Jenny |
2016 |
| Boivin, Julie |
Radical Ornament: Its Effects and Affects Understood through the Materiality of Rocaille Ornament and Body-horror Films |
Cheetham, Mark A. |
2015 |
| Iarocci, Bernice |
The Santissima Annunziata of Florence, Medici Portraits, and the Counter Reformation in Italy |
Sohm, Philip |
2015 |
| Reddy, Meredith Kaitlin |
Artful Mediums: Women, Séance Photography, and Materialization Phenomena, 1880–1930 |
Kaplan, Louis; Syme, Alison |
2015 |
| McQuillen, John Thomas |
In Manuscript and Print: The Fifteenth-century Library of Scheyern Abbey |
Cohen, Adam S. |
2014 |
| Bücheler, Anna |
Ornament as Argument: Textile Pages and Textile Metaphors in Medieval German Manuscripts (800–1100) |
Cohen, Adam S. |
2014 |
| Harper, Alexander |
Patronage in the re-Christianized Landscape of Angevin Apulia: The Rebuilding of Luceria sarracenorum into Civitas Sanctae Mariae |
Caskey, Jill |
2014 |
| Jakobiec, Katarzyna Anna |
Grain, Stone, and Red Velvet: The Material Assemblages of a City on the Vistula River in Poland, c. 1555–c. 1655 |
Anderson, Christy |
2014 |
| Ward, Flora Thomas |
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo |
Caskey, Jill |
2014 |
| Richards, Sandra |
From the Chapel to the Gallery: The Aestheticization of Altarpieces in Early Modern Italy |
Sohm, Philip |
2013 |
| Mikulinsky, Alma |
The Chisel and the Lens: Picasso, Brassaï, and the Photography of Sculptures: 1933–1948 |
Legge, Elizabeth |
2013 |
| Couzin, Robert |
Death in a New Key: The Christian Turn of Roman Sarcophagi |
Caskey, Jill |
2013 |
| Stead, Adam Robert |
Rebuilding St. Kunibert: Artistic Integration, Patronage, and Institutional Identities in Thirteenth-Century Cologne |
Cohen, Adam S. |
2013 |
| Carroll, Leanne Katherine |
Artist Writings: Critical Essays, Reception, and Conditions of Production since the 60s |
Cheetham, Mark A. |
2013 |
| Louria-Hayon, Adi |
Folding Spaces and Porous Bodies: Sound and Sight in Bruce Nauman's Oeuvre |
Cheetham, Mark A. |
2013 |
| Kralik, Christine |
A Matter of Life and Death: Forms, Functions and Audiences for "The Three Living and the Three Dead" in Late Medieval Manuscripts |
Caskey, Jill |
2013 |
| Tsoumis, Karine |
Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice |
Sohm, Philip |
2013 |
| Beggs, Margo |
Harriet Hosmer (1830–1908): Fame, Photography, and the American 'Sculptress' |
Gotlieb, Marc |
2013 |
| Kurtovic, Nikolina |
Communist Stardom in The Cold War: Josip Broz Tito in Western and Yugoslav Photography, 1943–1980 |
Legge, Elizabeth |
2012 |
| Purvis, Betsy Bennett |
Palpable Politics and Embodied Passions:Terracotta Tableau Sculpture in Italy, 1450–1530 |
Sohm, Philip |
2012 |
| Mangone, Carolina |
Bernini as the Seicento Michelangelo: Imitation and Identity in Art, Architecture and Biography |
Levy, Evonne |
2012 |
| Napolitano, Elena Cristina |
Prospects of Statecraft: Diplomacy, Territoriality, and the Vision of French Nationhood in Rome, 1660–1700 |
Levy, Evonne |
2012 |
| Hoare, Alexandra |
Salvator Rosa as "Amico vero": The Role of Friendship in the Making of a Free Artist |
Sohm, Philip |
2012 |
| Diack, Heather |
The Benefit of the Doubt: Regarding the Photographic Conditions of Conceptual Art, 1966–1973 |
Kaplan, Louis |
2012 |
| Stone, Linda Gail |
Terrible Crimes and Wicked Pleasures: Witches in the Art of the Sixteenth and Seventeenth Centuries |
Kavaler, Ethan Matt |
2012 |
| Gagne, Laura |
Middle Cypriot White Painted Ware: A Study of Pottery Production and Distribution in Middle Bronze Age Cyprus |
Knappett, Carl |
2012 |
| Guerin, Sarah Margaret |
Tears of Compunction: French Gothic Ivories in Devotional Practice |
Cohen, Adam S. |
2012 |
| Miller, Amy Rebecca |
The Stones of Cumbria |
Cohen, Adam S. |
2011 |
| Carson, Rebekah A. |
Andrea Riccio's Della Torre Tomb Monument: Humanism and Antiquarianism in Padua and Verona |
Nagel, Alexander |
2010 |
| Emmelhainz, Irmgard |
Before Our Eyes: Les mots, non les choses. Jean-Luc Godard's "Ici et ailleurs" (1970–74) and "Notre musique" (2004) |
Ricco, John Paul |
2010 |
