Jennifer Franks
My background in the history of art and design and foreign languages reflects lifelong interests in the global exchange of things and ideas. I have worked as Specialist, Researcher, Curator, and Executive Director in the performing and visual arts. My past employers include: Christie’s (New York), The National Trust (UK), Waddesdon Manor (Rothschild Collections, UK), and The Philadelphia Museum of Art, among other art non-profits. I have pursued a peripatetic career with active engagement in arts leadership throughout the United States, Canada, and Europe, ffostering collaborations across borders and disciplines. I am scheduled to complete my PhD research in Paris via the International Doctoral Cluster in partnership with Sorbonne Université and L'École pratique des hautes études.
Selected Publications
- "L'ancien régime et L’art contemporain: John Fleming and the Decorative Arts" Ornamentum Magazine | Spring/Summer, 2021
- "History of Flower Vessels in the West", Essay in "T.M. Glass: The Audible Language of Flowers", Ontario College of Art and Design (OCAD University), 2019.
- "History of 17th-century Dutch Still Life Painting" Essay in "T.M. Glass: The Audible Language of Flowers", Ontario College of Art and Design (OCAD University), 2019.
Honours, Awards and Grants
- 2024 International Doctoral Cluster Award for Studies via Sorbonne Université and L'École pratique des hautes études
- 2024 Preservation of Toronto Landmark 's Interiors, documented by film documentary, "Charlotte's Castle", nominated for four awards by the Canadian Academy of Cinema and Television, including Best Documentary and Best Cinematography
- 2023 SGS Research Travel Grant, Stockholm and London
- 2022 Photography Award, Saint George's Society, Album of Canadian Garden Designs Presented to Her Majesty Queen Elizabeth II
- 2020 Canada Council Grant Award, Canadian Society of Decorative Arts / Cercle canadien des arts décoratifs
- 2010-2015 Various Grant Awards on behalf of Arts Programming / Exhibitions (City, State, National - United States)
Professional Affiliations
- International Doctoral Cluster, University of Toronto, Sorbonne Université, and L'École pratique des hautes études
- Doctoral Research Network, Paul Mellon Centre, Yale University
- French Porcelain Society, London, UK
- Canadian Society for Eighteenth-Century Studies
- Canadian Society of Decorative Arts / Cercle canadien des arts décoratifs, Toronto, ON
- American Society for Eighteenth-Century Studies
People Type:
- Intersections of art and science
- Historic and contemporary fine and decorative art
- Visual, material, and intellectual culture of the eighteenth century
Program:
Cohort:
My thesis examines five eighteenth-century European artworks (object case studies) perceived as decorative. These French and French-inspired artworks provide a framework in which to examine the intellectual contributions of "philosopher-artists" in the development of the Enlightenment self. In general terms, the research asks what does "the decorative" in France and its global, eighteenth-century networks reveal about the history of ideas.